#177 Campaign Music

Andrew Marsh

1-30 Nov 2025 12-6pm Thu-Sun or by appointment

Campaign Music is a response to a provocation by Outpost to reimagine and respond to its inaugural solo exhibition, Siege Music, 21 years ago.

While Siege Music examined the practice of playing loud rock music at occupants of buildings under siege, Campaign Music looks back on the practice of playing, and often appropriating, music for political campaigns. Used at election campaign rallies across the United States, the music chosen is often strategic and sometimes naively selected, but it is always political. These choices reveal tensions between cultural identity, authorship, public perception, and the power of sound as a tool for persuasion.

Gesturing toward the languages of political rallies and music festivals through Heras fencing and banners, the exhibition questions how music is used in political contexts and how meaning shifts when songs are repurposed. Each fencing panel in the exhibition has a corresponding banner with a selected playlist from American presidential campaigns since the first exhibition of Siege Music. At the centre of the space, a YouTube playlist of music from different campaigns plays—an archive of sound itself under siege from the very political structures that appropriated it, inviting reflection on the fragility of cultural ownership.

Image by Gillies Adamson Semple