Ciara Phillips Poster : Slippery under pressure, 2012
Ciara Phillips, Poster : Slippery under pressure 2012
Screenprint on paper
Edition of 10 + 1AP
1010 x 680 mm
£150 (£15 Postage and Packaging)
Produced to coincide with her OUTPOST solo exhibition, Slippery Under Pressure, Glasgow based artist, Ciara Phillips has specially created an edition of 10 screen prints. Crudely drawn in green ink, the words ‘Slippery under pressure’ negotiate space on the powder pink background with splodges of paint and seemingly cut and pasted examples of gestural brush strokes. The phrase, lifted from the title of Phillips’ accompanying exhibition, references a sense of ‘being out of control with a material’ which is playfully mirrored by the expressive marks and their collaged appearance.
Ciara Phillips, Poster : Slippery under pressure 2012
Screenprint on paper
Edition of 10 + 1AP
1010 x 680 mm
£150 (£15 Postage and Packaging)
Produced to coincide with her OUTPOST solo exhibition, Slippery Under Pressure, Glasgow based artist, Ciara Phillips has specially created an edition of 10 screen prints. Crudely drawn in green ink, the words ‘Slippery under pressure’ negotiate space on the powder pink background with splodges of paint and seemingly cut and pasted examples of gestural brush strokes. The phrase, lifted from the title of Phillips’ accompanying exhibition, references a sense of ‘being out of control with a material’ which is playfully mirrored by the expressive marks and their collaged appearance.
Ciara Phillips, Poster : Slippery under pressure 2012
Screenprint on paper
Edition of 10 + 1AP
1010 x 680 mm
£150 (£15 Postage and Packaging)
Produced to coincide with her OUTPOST solo exhibition, Slippery Under Pressure, Glasgow based artist, Ciara Phillips has specially created an edition of 10 screen prints. Crudely drawn in green ink, the words ‘Slippery under pressure’ negotiate space on the powder pink background with splodges of paint and seemingly cut and pasted examples of gestural brush strokes. The phrase, lifted from the title of Phillips’ accompanying exhibition, references a sense of ‘being out of control with a material’ which is playfully mirrored by the expressive marks and their collaged appearance.